Theatre of the Oppressed is a range of techniques, games and exercises, using embodied narrative to activate the empowerment and liberation of individuals and their communities.
This training will enable you to explore the forms and tools of Theatre of the Oppressed, get skilled-up and confident in applying them, and to share them with others. The approach was developed by Augusto Boal in South America, and has since been used all over the world in the building of community, to dynamize social engagement, and to support individuals to realise their creative potential for personal and social transformation. This training is a collaboration between Reboot the Roots and the Ulex Project, hosted at High Heathercombe in the UK.
Theatre of the Oppressed is a range of techniques, games and exercises, using embodied narrative to activate the empowerment and liberation of individuals and their communities. The approach was developed by Augusto Boal in South America, and has since been used all over the world in the building of community, to dynamize social engagement, and to support individuals to realise their creative potential for personal and social transformation.
Theatre of the Oppressed creates space for a rehearsal for life. It is a way of analysing the power dynamics of our society and our personal relationships, purporting that personal problems are social problems. We will explore a range activities to develop focus, generate solutions to real problems, create dialogue where before there was only monologue, and ultimately “humanise humanity” by enabling people to develop the skills and faculties to liberate themselves and others. We will develop somatic and energetic awareness in the personal, interpersonal, and political dimensions
Theatre of the Oppressed is a potent tool in the facilitation of group work, community empowerment, and the holding of liberatory conversations. This training lays the foundation praxis for you to explore the forms and tools of the key tools of Image and Forum Theatre, as well as a host of games, techniques and exercises underpinned with the theory and philosophy of Boal’s work.
Throughout the training we shall also be bringing in aspects of Mindfulness – or Attentiveness as we prefer to call it – as an active tool to support the mind’s capacity to observe itself, disrupt old patterns, reflect, and transform. What we give our attention to creates our reality and to ensure that we do not perpetuate the injustices and oppressions we seek to change we must develop compassion and care for ourselves. By cultivating a radical act of noticing this taps into our intrinsic potential to grow more resilient which in turn offers power and sustainability to our social change work, and opens up more possibilities in our relationship with others.
Together, we can learn from our past, to act now in our present, to create the future we desire.
This week long training will explore two fundamental aspects of Boal’s work:
• Forum Theatre – a rich and full narrative form which enables groups to explore issues, and to look for transformative opportunities and points of intervention within their own lives.
• Image Theatre – a set of simple forms that enable groups to hold meaningful and exploratory conversations. It is a highly participative approach that supports rich inclusivity, and is able to meet diverse needs and communication styles.
Participants can expect to gain:
• a good understanding of the principles and values that underpin Theatre of the Oppressed
• fundamentals of the application and enactment of a variety of Image Theatre techniques
• the knowledge and experience to devise, perform and analyse a piece of Forum Theatre
• key skills needed to use a range of Theatre of the Oppressed tools in a variety of situations (e.g. community empowerment, campaign development, group work facilitation, conflict transformation)
• experience of mindfulness-based and reflective approaches to support self-awareness and increase emotional resilience
• methods of opening up and holding spaces for exploring the emotional dimensions of activist experience – including strong and difficult emotion
• an understanding of the neurobiology of compassion and how to remain socially engaged to welcome the wholeness of life
• a range of compassion practices for developing emotional regulation during challenging encounters
• training in techniques for observation and understanding of the systems we live in, along with tools which integrate embodied and somatic approaches to personal and group change.
Due to the financial approach of the host organisation, this course is not part of the Ulex Solidarity Economy. For details of cost see the High Heathercombe website. We don’t want lack of finances to be a barrier, so some bursary places are available. For an application form and more information contact us at email@example.com
George is a practitioner of the Theatre of the Oppressed, writer, performance poet and natural farmer who has travelled extensively across Europe and Asia working with groups ranging from the homeless in London, subsistence farmers in India, victims of the Khmer Rouge in Cambodia, to recovering heroin addicts and street kids in Kuala Lumpur. As founder of the training collective Reboot The Roots they have a decade of experience as a facilitator and educator in fields ranging from TESOL and drama therapy to drug rehabilitation and conflict resolution. They qualified in their Certificate in Joker Training and Certificate in Rainbow of Desire whilst working with Cardboard Citizens in 2010.
Reboot the Roots is a charity that promotes social inclusion through the arts. It uses theatre, music and workshops to support people who are denied their rights to full, happy and active participation in society. This includes those recovering from addiction, people living with HIV/AIDS and individuals who have been in conflict with the law. They facilitate workshops with the socially excluded, train trainers from other organisations and NGOs in techniques of art for inclusion, and help other practitioners to achieve their goals through logistical support, consultation and funding. They believe that creative tools for social transformation can enable people to participate fully and equally in society.
Based in Catalunya, Lindsay works with activists from across Europe, designing and delivering programmes which support sustainable organising for systemic change. As a facilitator, her work is underpinned by training in meditative and somatic movement practices for close to twenty years, and she accompanies this with a background in theatre arts and participatory education. She is currently training in Social Presencing Theatre with Arawana Hayashi. Her activism centres around personal, inter-personal and political transformation.
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