Theatre of the Oppressed Training

17 to 24 March 2018

From spectator to protagonist

Theatre of the Oppressed is a range of techniques, games and exercises, using embodied narrative to support the empowerment and liberation of individuals and their communities. The approach was developed by Augusto Boal in South America, and has since been used all over the world in the building of community, to dynamize social engagement, and to support individuals to realise their creative potential for personal and social transformation.


“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.” – Augusto Boal, Games For Actors & Non-Actors

Theatre of the Oppressed is a potent tool in the facilitation of group work, community empowerment, and the holding of liberatory conversations. This training will enable you to explore the forms and tools, get skilled-up and confident in applying them, and to share them with others.

In essence, Theatre of the Oppressed utilises theatre in order to generate solutions to real problems, create dialogue where before there was only monologue, and ultimately “humanise humanity” by enabling people to develop the skills and faculties to liberate themselves and others. It creates space for a rehearsal for life. It is a way of analysing the power dynamics of our society and our personal relationships, purporting that personal problems are social problems.

This week long training will explore three key aspects of Boal’s work:

  • Forum Theatre – a rich and full narrative form which enables groups to explore issues, and to look for transformative opportunities and points of intervention within their own lives.
  • Rainbow of Desire – methods for exploring the dynamics of internalised oppression that can reduce our potency for social engagement and community participation.
  • Image Theatre – a set of simple forms that enable groups to hold meaningful and exploratory conversations. It is a highly participative approach that supports rich inclusivity, and is able to meet diverse needs and communication styles.

Participants can expect to gain:

  • a good understanding of the principles and values that underpin the work
  • an understanding of a range of key Theatre of the Oppressed tools
  • key skills needed to use a range of Theatre of the Oppressed tools in a variety of situations (e.g. community empowerment, campaign development, group work facilitation, conflict transformation)

“When does a session of The Theatre of the Oppressed end? Never – since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life… its objective is to become integrated into reality, into life.” – Boal

Suggested Contribution
In the solidarity economy: €300/€500/€950
(see the details of our approach to Solidarity Economics for details)

The Team

Our Name

Ulex: Latin (argelaga Catalan, gorse English) noun:

1. A thorny-evergreen flowering shrub, with a high capacity for regeneration and resilience. Its seedpods open in contact with fire and it reshoots from charred stumps. A successionary plant that grows well under challenging conditions. It improves soil fertility through nitrogen fixing, preparing the way for renewed biodiversity.

2. A traditional choice for igniting fires. Burns hot and bright.

3. A networked project adding nutrition and fertility to European social movements through training and capacity building. It kindles the realisation of social justice, ecological intelligence, and cognitive vitality.