Empowering social change through the power of the heart, the fire of the imagination, and the dynamism of the body.
This week long event will bring together a group of richly talented facilitators and practitioners to share and explore creative tools that can be used in a variety of social change settings. It will take a cross/multi-disciplinary approach, drawing on theatre, story, image, dance, and music – and apply these to community empowerment, campaign development, and direct action.
A key strand will explore Theatre of the Oppressed – a range of techniques, games and exercises, using embodied narrative to support the empowerment and liberation of individuals and their communities. The approach was developed by Augusto Boal in South America, and has since been used all over the world in the building of community, to dynamize social engagement, and to support individuals to realise their creative potential for personal and social transformation.
Combining the Ulex Creative Tools for Social Change Training with our ongoing Theatre of the Oppressed course we’ll:
There will also be opportunity to take a deeper dive in to Theatre of the Oppressed strand:
“Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, rather than just waiting for it.” – Augusto Boal, Games For Actors & Non-Actors
Theatre of the Oppressed is a potent tool in the facilitation of group work, community empowerment, and the holding of liberatory conversations. This training lays the foundation praxis for you to explore the forms and tools of the key tools of Image and Forum Theatre, aswell as a host of games, techniques and exercises underpinned with the theory and philosophy of Boal’s work.
In essence, Theatre of the Oppressed utilises theatre in order to generate solutions to real problems, create dialogue where before there was only monologue, and ultimately “humanise humanity” by enabling people to develop the skills and faculties to liberate themselves and others. It creates space for a rehearsal for life. It is a way of analysing the power dynamics of our society and our personal relationships, purporting that personal problems are social problems.
This week long training will explore two fundamental aspects of Boal’s work:
In this strand participants can expect to gain:
“When does a session of The Theatre of the Oppressed end? Never – since the objective is not to close a cycle, to generate a catharsis, or to end a development. On the contrary, its objective is to encourage autonomous activity, to set a process in motion, to stimulate transformative creativity, to change spectators into protagonists. And it is precisely for these reasons that the Theatre of the Oppressed should be the initiator of changes the culmination of which is not the aesthetic phenomenon but real life… its objective is to become integrated into reality, into life.” – Boal
We’ll be hosting this at a venue in Catalunya that is a little closer to Barcelona. We’re using several additonal venues during spring 2021, to enable us to deal with rescheduling casued by the covid pandemic during 2020.
Team to be confirmed.
Skills for building collective power
Spaces for empowered inclusion
Agency, theory and strategy - a deep inquiry
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2. A traditional choice for igniting fires. Burns hot and bright.
3. A networked project adding nutrition and fertility to European social movements through training and capacity building. It kindles the realisation of social justice, ecological intelligence, and cognitive vitality.